Journal of Siberian Federal University. Humanities & Social Sciences: A Word and Music in the Vocal Cycle of Rodion Shchedrin Based on the Osip Mandelstam’s Poem «My Age, My Beast»

Journal of Siberian Federal University. Humanities & Social Sciences / A Word and Music in the Vocal Cycle of Rodion Shchedrin Based on the Osip Mandelstam’s Poem «My Age, My Beast»

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Issue: Journal of Siberian Federal University. Humanities & Social Sciences. 2021 14 (6)
Authors: Sinel’nikova, Olga V.
Contact information: Sinel’nikova, Olga V.: Kemerovo State University of Culture and Arts Kemerovo, Russian Federation; ; ORCID: 0000–0002–1591–6869
Keywords: word; music; vocal cycle; Rodion Shchedrin; Osip Mandelstam; Anna Akhmatova; dictatorship
Abstract: The article is devoted to the issue of the synthesis of words and music in the vocal cycle of Rodion Shchedrin «My Age, My Beast» with lyrics by Osip Mandelstam, created by the order of V. Ashkenazi. The author studies the composer’s original approach to combining words and music and concludes that a number of innovations introduced by Shchedrin and transforming the traditional genre of the vocal cycle led to this result. Firstly, the composer uses fragments of Anna Akhmatova’s diaries where she recalls the dramatic moments of O. Mandelstam’s life – his arrest, exile, and death of the poet as the literary basis of the cycle. Fragmentary diary entries by A. Akhmatova in linear and counterpoint combination with the poetic texts by O. Mandelstam give rise to a diversified semantic polyphony of the composition. Secondly, the individual editing principle of R. Shchedrin’s artistic thinking contributes to an increase in the associative perception of O. Mandelstam’s poetry in its synthesis with music. Stages of the drama of R. Shchedrin’s composition, fixing the milestones in life and creative path of the poet are traced in the article. The author of the article analyzes the features of the composer’s musical language, consonant with the complex-associative poetry of O. Mandelstam. The analysis of the vocal cycle of R. Shchedrin became the starting point of the author’s reflections on the tragedy of the greatest poet of the 20th century in the unity of his poems and destiny, on the cruel lessons of Russian history and the victims of the totalitarian system
Pages: 842–861
DOI: 10.17516/1997–1370–0765
Paper at repository of SibFU: https://elib.sfu-kras.ru/handle/2311/141352

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