Journal of Siberian Federal University. Humanities & Social Sciences / Monumental Painting of the Artist-Iconographer Nikolay Shushalykov: Specificity of Artistic Decision

Full text (.pdf)
Issue
Journal of Siberian Federal University. Humanities & Social Sciences. 2025 18 (3)
Authors
Kosjakina, Julia L.
Contact information
Kosjakina, Julia L.: South Ural State University Chelyabinsk, Russian Federation; ; ORCID: 0000-0001-6668-2794
Keywords
iconographers of the Urals region; N. N. Shushalykov; contemporary church art; monumental paintings; church painting; iconographic program of the temple
Abstract

Currently, monumental church painting is developing in a variety of creative searches based on a wide range of traditions. Particularly noteworthy are the artists who embarked on the path of the revival church art at the end of the 80s the last century. The article examines a complex monumental paintings by the leading Yekaterinburg artist- iconographer Nicolay Shushalykov. The main monumental works of the artist, created over the past three decades are introduced into scientific circulation. The specificity of artistic performance is revealed depending on the peculiarities of architecture, historical context, local cultural traditions (Russia, Greece, Thailand, Uzbekistan). Thus, creating an individual concept of monumental paintings, the artist uses a variety of artistic solutions, depending on a specific temple and a specific situation, while maintaining the canonical principle of the hierarchy of the spatial-pictorial complex

Pages
561–572
EDN
WNYRBN
Paper at repository of SibFU
https://elib.sfu-kras.ru/handle/2311/155048

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