Siberian Federal University

Issue

Journal of Siberian Federal University. Humanities & Social Sciences. 2025 18 (9)

Authors

Seredkina, Natalya N.

Contact information

Seredkina, Natalya N. : Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-9248-8810

Keywords

Siberian modern fine art; art of Siberia at the end of the XX century; Khakass art; fine art of Khakassia; A. V. Domozhakov; ethnocultural identity

Abstract

The article is devoted to the consideration of the distinctive features of ethnoarchaics, one of the artistic trends in Siberia at the end of the XX – beginning of the XXI century. The source material for the study was the work of the Khakass artist Alexander Viktorovich Domozhakov (1955–1998), who turned to ethnoarchaics in the late period of his work and offered his vision of the development of this artistic trend. Two works by A. V. Domozhakov, “Horse-Deer” and “Confrontation”, were chosen as representative works of fine art created within the framework of ethnoarchaeology. These works represent two different creative methods from each other, from the perspective of which the specifics of the artist’s artistic style are revealed in the context of the ethnoarchaic trend. It is shown that the artistic language of these works is characterized, on the one hand, from the standpoint of the principles of realistic art, on the other – from the standpoint of the principles of abstract art. This allowed us to draw a conclusion about the dynamics of the visual images of the works of ethnoarchaics and the two-aspect nature of the ethno- cultural identity constructed by means of artistic signs of these works

Pages

1836–1846

EDN

DGOXVK

Paper at repository of SibFU

https://elib.sfu-kras.ru/handle/2311/157345

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).